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Our Verdict
One thing Very Dangerous Is Going To Occur mixes one thing previous with one thing new to create a marital horror that channels Lynchian vibes into one thing refreshingly distinctive (particularly for Netflix). Overlook what goes bump within the evening. You’ll be frightened of what goes bump within the marital mattress by the top of this present too.
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It’s no spoiler to recommend that one thing very dangerous goes to occur in Netflix’s present of the identical identify. Besides, it’s not simply one “very dangerous” factor. As an alternative, creator Haley Z. Boston throws all the things and the kitchen sink at us, if mentioned sink was ripped out of a dread-infused, Lynchian nightmare.
The primary episode begins on what needs to be the best day of Rachel Harkin’s (Camila Morrone) life. She’s about to marry her soulmate, Nicky Cunningham (Adam DiMarco), in a lavish ceremony with all their family members current. However one thing feels off. One thing’s not fairly proper. And that’s when the torrents of blood out of the blue seem, buying and selling one thing blue for one thing crimson.
…a slightly creepy, ominous tone that grows in depth with every disturbing new improvement
One thing Very Dangerous Is Going To Occur teases its title after we leap again in time to “5 days earlier than I do”. Rachel and Nicky are on their technique to the Cunningham household residence the place their marriage ceremony will likely be held. After all, this being a horror, the household residence is about deep in secluded woods the place snow may entice you at any second. Plus the wind within the timber sounds an terrible lot like whispers, or heavy respiratory…
Even earlier than the loved-up couple attain their vacation spot, they stumble throughout a a peeping tom and an deserted child which units a slightly creepy, ominous tone that grows in depth with every disturbing new improvement.
By the point they really arrive on the home, greeted by oddball members of the family who’ve already taken a hushed dislike to Rachel, the dread is palpable. And never within the easy manner you may anticipate from a narrative executive-produced by the Duffer Brothers.
Far stranger issues are afoot, particularly within the first few episodes. By the point we hear the story of the “Sorry Man” – who apologises to girls profusely as he slices open their stomachs – you’re going to be freaked out. All the things about these early scenes is uncomfortable on the naked minimal and infrequently full-blown scary.
The dream-like tone and imagery that accompanies these chills jogged my memory of Channel Zero at first, an early rival to American Horror Story that was much more unsettling in its outlook.
A lot of this discomfort comes from the shortage of solutions which can be given, hinting at all the things from cosmic Lovecraftian horror to one thing simply as scary a lot nearer to residence.
One thing Very Dangerous Is Going To Occur is at its greatest when it’s as obscure as its title, teasing slightly than revealing the reality behind what’s to return. When the reveals do arrive although, sooner than you may anticipate, they successfully reset the style of the present, bringing new types of horror in at a dizzying pace.
A few of these shifts work higher than others, and I did discover myself lacking the surreal, limbo-like ambiance of these early episodes, however the sheer ambition of all of it stays admirable and the writing brings all the things collectively surprisingly nicely.
The forged is so robust and the characters are so wickedly unusual
The one difficulty is that among the bizarre behaviour from the beginning isn’t absolutely accounted for, or is a minimum of missed within the wider narrative. That hardly issues although, when the forged is so robust and the characters are so wickedly unusual.
The Cunninghams are a freaky, oddball household riddled with neuroses and darkish secrets and techniques. Dickinson star Gus Birney is an instantaneous standout as Portia, whose entitled smile verges on a sneer, even when her phrases are sickly candy. In the meantime, Jules (Jeff Wilbusch) and his spouse Nell (Karla Crome) have much more happening than it first seems.
And what skeletons, actual or in any other case, cover within the closet of Jennifer Jason Leigh’s matriarch, Victoria? Leigh’s display screen presence has all the time been an ideal match for horror, and right here she channels a caring but sinister vibe that solely the easiest can pull off so convincingly.
Jules apart, the Cunningham males fare much less nicely. Ted Levine’s father determine has much less to do than the remainder, and DiMarco doesn’t get the prospect to unleash in the identical manner, sticking to 1 be aware for a lot of the season.
However a particular shout out goes to current Superman villain Zlatko Burić, whose eccentricities match completely with the persistently odd ambiance Boston has crafted right here.
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That is actually Morrone’s present, and rightly so. It’s been just a few years since she gained that Emmy nomination for her supporting function in Daisy Jones and The Six, and it’s about time she was given a lead function of this calibre to sink her enamel into. The truth is, Morrone devours the function, fearlessly throwing herself into each scene, every extra deranged than the final.
And crucially, she’s not simply reacting as a sufferer both. Rachel is strictly the type of feminine protagonist that horror typically excels in foregrounding, absolutely rounded and able to struggle again towards what each insane fuckery may unfold.
The result’s simply as good as it’s unhinged
Morrone is simply as efficient within the nightmarish facets of this story as she is within the occasional moments of darkish humour threaded all through. The establishment of marriage and what that bond truly means comes below fireplace usually, twisting very actual fears about dedication into one thing much more monstrous but nonetheless recognisable. The result’s simply as good as it’s unhinged.
The identical may maybe be mentioned for Boston herself, who’s come out of the gate with one thing really distinctive and particular. All the things from the writing to the aesthetic speaks to blockbuster manufacturing values — the visuals are far stronger than something within the last season of Stranger Issues, for instance — however with an indie sense of daring that units it aside.
As such, it’s simpler to forgive some logistical inconsistencies or just a few much less plausible moments. None of that detracts from how daring that is for an authentic mainstream horror story in 2026. The fortunately ever after crafted by the Duffers for Stranger Issues may have discovered a lot from this.
Must you watch One thing Very Dangerous Is Going To Occur?
It’s uncommon to see horror of this calibre on the small display screen lately. And it’s even rarer to see a Netflix authentic strive one thing completely different on this vein. Come for the freaky scares and keep for the even freakier performances that can have you ever questioning each romantic determination you’ve ever made.